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[title] => Mosor u Zagrebu promovirao knjigu: "Nadvisio je Woodyja Allena i u fizičkom i u idejnom smislu"
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Umjesto sjećanja na veliku poplavu od prije 47 godina, zagrebačku Ilicu u srijedu su navečer poplavila sjećanja na dan oslobođenja Splita od prije 67 godina, te zlatne splitske sedamdesete.
Vulkan južnjačke nostalgije koji je prostorije Društva Splićana učinio tijesnima aktivirao je splitski pisac i novinar Milorad Bibić Mosor, promovirajući svoju drugu knjigu memoarskih zapisa „Zadnja pošta Riva“.
- Drugim tomom svojih memoara Milorad Bibić Mosor opasno se polako približio svom spisateljskom uzoru Svetozaru Vukmanoviću Tempu – primijetio je tom prigodom novinar Ivica Ivanišević, jedan od promotora.
On nalazi intrigantnim što je autor u dvije dosadašnje knjige obuhvatio razdoblje od čak dvadeset godina, a još uvijek piše o svojemu mladenaštvu.
- Evidentno je kako nas očekuje još puno knjiga o Mosorovu odrastanju, sve do današnjih dana – kazao je Ivanišević.
Izdavač Seid Serdarević Bibićevu knjigu svrstava u djela klasičnog Mediterana, kakav se može osjetiti kod Ive Tijardovića i Miljenka Smoje. Literarno sjećanje na sedamdesete nam, prema njegovim riječima, poručuje i kako veličinu nekog grada ne određuje broj njegovih stanovnika, nego nešto sasvim drugo.
Karikaturist Davor Štambuk je autora knjige usporedio s režiserom Woodyjem Allenom, te konstatirao kako ga je Mosor nadvisio i u fizičkom i u idejnom smislu.
- U svom zadnjem filmu „Ponoć u Parizu“ Woody Allen je, tragajući za starom slavom toga grada, na filmskom platnu oživio desetke njegovih umrlih stanovnika, dok ih je Mosor u svojoj knjizi oživio bar stotinu. Spominjući tolike mrtve Splićane, Mosor je sigurno računao da će im familije kupiti knjigu u kojoj se njihovi dragi spominju, objasnio je Štambuk.
Promociju „Zadnje pošte Riva“ svojim su prisustvom uveličali brojni zagrebački Splićani, ali i nesplićani poput Stipe Mesića, Tarika Filipovića, Aleksandra Stankovića, Milane Vlaović...
D. Krile
foto: petar atletić / cropix
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Umjesto sjećanja na veliku poplavu od prije 47 godina, zagrebačku Ilicu u srijedu su navečer poplavila sjećanja na dan oslobođenja Splita od prije 67 godina, te zlatne splitske sedamdesete.
Vulkan južnjačke nostalgije koji je prostorije Društva Splićana učinio tijesnima aktivirao je splitski pisac i novinar Milorad Bibić Mosor, promovirajući svoju drugu knjigu memoarskih zapisa „Zadnja pošta Riva“.
- Drugim tomom svojih memoara Milorad Bibić Mosor opasno se polako približio svom spisateljskom uzoru Svetozaru Vukmanoviću Tempu – primijetio je tom prigodom novinar Ivica Ivanišević, jedan od promotora.
On nalazi intrigantnim što je autor u dvije dosadašnje knjige obuhvatio razdoblje od čak dvadeset godina, a još uvijek piše o svojemu mladenaštvu.
- Evidentno je kako nas očekuje još puno knjiga o Mosorovu odrastanju, sve do današnjih dana – kazao je Ivanišević.
Izdavač Seid Serdarević Bibićevu knjigu svrstava u djela klasičnog Mediterana, kakav se može osjetiti kod Ive Tijardovića i Miljenka Smoje. Literarno sjećanje na sedamdesete nam, prema njegovim riječima, poručuje i kako veličinu nekog grada ne određuje broj njegovih stanovnika, nego nešto sasvim drugo.
Karikaturist Davor Štambuk je autora knjige usporedio s režiserom Woodyjem Allenom, te konstatirao kako ga je Mosor nadvisio i u fizičkom i u idejnom smislu.
- U svom zadnjem filmu „Ponoć u Parizu“ Woody Allen je, tragajući za starom slavom toga grada, na filmskom platnu oživio desetke njegovih umrlih stanovnika, dok ih je Mosor u svojoj knjizi oživio bar stotinu. Spominjući tolike mrtve Splićane, Mosor je sigurno računao da će im familije kupiti knjigu u kojoj se njihovi dragi spominju, objasnio je Štambuk.
Promociju „Zadnje pošte Riva“ svojim su prisustvom uveličali brojni zagrebački Splićani, ali i nesplićani poput Stipe Mesića, Tarika Filipovića, Aleksandra Stankovića, Milane Vlaović...
D. Krile
foto: petar atletić / cropix
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21. svibanj 2024 11:32
