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Okolica Šibenika i sam grad poslužili su kao kulisa za snimanje novog SF horora redatelja i scenarista Brandona Cronenberga ”Bazen beskraja” (“Infinity Pool”), nastalog i u hrvatskoj koprodukciji. Bilo je to u jesen 2021. godine. Nešto manje od dvije godine poslije, nakon svjetske premijere na Sundanceu i europske na Berlinaleu, “Bazen beskraja” je napokon dobio premijernu kasnovečernju projekciju na Pula Film Festivalu i dobro se nadovezao na horor “Ne govori zlo” kao prošlogodišnjeg predstavnika “Ponoćno ludilo” tipa festivalske strave.

Dalmatinske lokacije sjaje odmah od snoliko-košmarnih, tripoidnih uvodnih kadrova filma “Infinity Pool”, kad se kamera Karima Hussaina okreće naglavačke da posnimi more, plaže i bazene ekskluzivnog ljetnog odmarališta fiktivne države Li Tolqa, pripremajući gledatelja na još neobično i intenzivno kinematografsko iskustvo s potpisom Cronenberga koji je fanove inteligentnih i krvožednih SF horora kupio s prethodnim ostvarenjem “Possessor” i spreman je za novo tonuće u noćnu moru.

Tu je na ljetovanje stigao pisac u potrazi za inspiracijom James Foster (Alexander Skarsgard, svjež od uloge u “Sjevernjaku”) u pratnji partnerice Em (Cleopatra Coleman). James je napisao jednu knjigu prije šest godina i pati od kreativne blokade, tako da mu puno znači kad jednog dana mlada Gabi (Mia Goth u hororskom “hat-trick” elementu nakon “X-a” i “Pearl”) zapodjene razgovor s njime i prizna “Svidjela mi se tvoja knjiga”.

Štoviše, James je privučen time što ima obožavateljicu, još više Gabinim magnetičnim seksepilom, potpadajući polako, ali sigurno pod njezine “femme fatale” čini. Toliko da nagovara Em da pođu van odmorišta s Gabi i njezinim partnerom Albanom (Jalil Lespert), iako je to protivno pravilima. Na povratku, za vrijeme noćne vožnje u alkoholiziranom stanju, James će automobilom oboriti i usmrtiti lokalca u sceni koja može podsjetiti na “Znam što si radila prošlog ljeta”.

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Gabi predlaže da ne zovu policiju u strahu od drakonske kazne, ali autoriteti svejedno privode Jamesa i njihov vođa Thresh (Thomas Kretschmann) otkriva da u takvim slučajevima najstariji sin stradalog ima pravo ubiti okrivljenika kako bi sačuvao čast obitelji.

Ipak, postoji i olakotna okolnost za odgovarajuću cijenu koju bogataši poput Jamesa mogu priuštiti. Thres može iz nekoliko pokušaja stvoriti Jamesovu savršenu repliku, klona, doppelgängera, tako da njegova kopija bude smaknuta, ali pod uvjetom da on i Em nazoče smaknuću.

’Oči širom zatvorene’ iz pakla

Kreiranje replike Cronenberg režira psihodeličnom vizualnošću, dozivajući pred gledateljeve oči “Altered States” Kena Russella i “Enter The Void” Gaspara Noea. Takvoj vizualnosti Croneberg pridodaje tjelesni horor s kakvim se proslavio njegov legendarni otac David (“Videodrom”, “Muha”). Scena smaknuća je nelagodna, posebice s obzirom da klon ima emocije, boji se smrti i osjeća bol.

“Bazen beskraja” se pozicionira između stroboskopske psihodelične halucinacije i brutalne hororske tjelesnosti kad Gabi otkrije da su ona, Alban i još neki hedonistički nastrojeni gosti odmarališta prošli isti postupak, i to ih osnažuje i potiče na daljnje zločine pune orgijastičkog seksa, droge i nasilja, s obzirom da opet mogu platiti kloniranje i raditi slične stvari bez stvarnih posljedica, skriveni ispod grotesknih “ekki” maski s deformiranim licima (“Oči širom zatvorene” iz pakla).

“Je li ovo san? Imalo bi više smisla”, komentira Em nadrealna zbivanja u jednoj sceni filma koji je utjelovljenje živuće snomorice ili možda piščeva ludila dok u glavi stvara novi roman. Košmarnost filma potiče pitanje postavljeno Jamesu “Što ako su ubili pravog tebe i zamijenili tijela pa si svjedočio vlastitoj propasti?”, odnosno spoznaja da on, moguće, nije original, već kopija, možda i kopija kopije kao što bi to mogli biti Gabi i ostali, premda su oni prihvatili tu mogućnost i nazivaju sebe “zombijima”.

Zanimljivo je da se Cronenberg poigrava konceptom kloniranja i identiteta budući da ga neki prozivaju klonom oca koji se nedavno vratio “body horroru” sa “Zločinima” budućnosti”. Utjecaj Cronenberga starijeg vidljiv je u tretmanu tijela i uma, tj. krvi, mesa i seksa, kao i Noea (obojici je odana posveta), pa i “neonskog demona” Nicolasa Windinga Refna.

No, Brandon je sve te uplive pretočio u originalnu viziju s vlastitim “ja” i na dobrom je putu da postane veliki žanrovski filmaš koji koristi žanr da ispod njegove površine kaže nešto o stvarnom svijetu. “Infinity Pool” je ekstremni hororski odgovor na filmove o aroganciji i nemoralu privilegiranih ljudi kao što su “Meni”, “Trokut tuge” i “Nož u leđa 2” ili serije poput “Bijelog lotosa” i “Nasljedstva”. Ljubitelji dobrog žanrovskog filma trebali bi istražiti dubine “Bazena beskraja”.

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FILM: Infinity Pool; SF horor; Kanada/Hrvatska/Mađarska, 2023. REŽIJA: Brandon Cronenberg ULOGE: Alexander SKarsgard, Mia Goth OCJENA: ****

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Hoće li doći u kina?

"Bazen beskraja" zasad nije u najavi za redovnu hrvatsku kinodistribuciju, ali vrijedi se nadati da će u dogledno vrijeme ipak doći u kina.

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Prizor iz filma ‘Infinity Pool‘ Brandona Cronenberga

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Okolica Šibenika i sam grad poslužili su kao kulisa za snimanje novog SF horora redatelja i scenarista Brandona Cronenberga ”Bazen beskraja” (“Infinity Pool”), nastalog i u hrvatskoj koprodukciji. Bilo je to u jesen 2021. godine. Nešto manje od dvije godine poslije, nakon svjetske premijere na Sundanceu i europske na Berlinaleu, “Bazen beskraja” je napokon dobio premijernu kasnovečernju projekciju na Pula Film Festivalu i dobro se nadovezao na horor “Ne govori zlo” kao prošlogodišnjeg predstavnika “Ponoćno ludilo” tipa festivalske strave.

Dalmatinske lokacije sjaje odmah od snoliko-košmarnih, tripoidnih uvodnih kadrova filma “Infinity Pool”, kad se kamera Karima Hussaina okreće naglavačke da posnimi more, plaže i bazene ekskluzivnog ljetnog odmarališta fiktivne države Li Tolqa, pripremajući gledatelja na još neobično i intenzivno kinematografsko iskustvo s potpisom Cronenberga koji je fanove inteligentnih i krvožednih SF horora kupio s prethodnim ostvarenjem “Possessor” i spreman je za novo tonuće u noćnu moru.

Tu je na ljetovanje stigao pisac u potrazi za inspiracijom James Foster (Alexander Skarsgard, svjež od uloge u “Sjevernjaku”) u pratnji partnerice Em (Cleopatra Coleman). James je napisao jednu knjigu prije šest godina i pati od kreativne blokade, tako da mu puno znači kad jednog dana mlada Gabi (Mia Goth u hororskom “hat-trick” elementu nakon “X-a” i “Pearl”) zapodjene razgovor s njime i prizna “Svidjela mi se tvoja knjiga”.

Štoviše, James je privučen time što ima obožavateljicu, još više Gabinim magnetičnim seksepilom, potpadajući polako, ali sigurno pod njezine “femme fatale” čini. Toliko da nagovara Em da pođu van odmorišta s Gabi i njezinim partnerom Albanom (Jalil Lespert), iako je to protivno pravilima. Na povratku, za vrijeme noćne vožnje u alkoholiziranom stanju, James će automobilom oboriti i usmrtiti lokalca u sceni koja može podsjetiti na “Znam što si radila prošlog ljeta”.

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Gabi predlaže da ne zovu policiju u strahu od drakonske kazne, ali autoriteti svejedno privode Jamesa i njihov vođa Thresh (Thomas Kretschmann) otkriva da u takvim slučajevima najstariji sin stradalog ima pravo ubiti okrivljenika kako bi sačuvao čast obitelji.

Ipak, postoji i olakotna okolnost za odgovarajuću cijenu koju bogataši poput Jamesa mogu priuštiti. Thres može iz nekoliko pokušaja stvoriti Jamesovu savršenu repliku, klona, doppelgängera, tako da njegova kopija bude smaknuta, ali pod uvjetom da on i Em nazoče smaknuću.

’Oči širom zatvorene’ iz pakla

Kreiranje replike Cronenberg režira psihodeličnom vizualnošću, dozivajući pred gledateljeve oči “Altered States” Kena Russella i “Enter The Void” Gaspara Noea. Takvoj vizualnosti Croneberg pridodaje tjelesni horor s kakvim se proslavio njegov legendarni otac David (“Videodrom”, “Muha”). Scena smaknuća je nelagodna, posebice s obzirom da klon ima emocije, boji se smrti i osjeća bol.

“Bazen beskraja” se pozicionira između stroboskopske psihodelične halucinacije i brutalne hororske tjelesnosti kad Gabi otkrije da su ona, Alban i još neki hedonistički nastrojeni gosti odmarališta prošli isti postupak, i to ih osnažuje i potiče na daljnje zločine pune orgijastičkog seksa, droge i nasilja, s obzirom da opet mogu platiti kloniranje i raditi slične stvari bez stvarnih posljedica, skriveni ispod grotesknih “ekki” maski s deformiranim licima (“Oči širom zatvorene” iz pakla).

“Je li ovo san? Imalo bi više smisla”, komentira Em nadrealna zbivanja u jednoj sceni filma koji je utjelovljenje živuće snomorice ili možda piščeva ludila dok u glavi stvara novi roman. Košmarnost filma potiče pitanje postavljeno Jamesu “Što ako su ubili pravog tebe i zamijenili tijela pa si svjedočio vlastitoj propasti?”, odnosno spoznaja da on, moguće, nije original, već kopija, možda i kopija kopije kao što bi to mogli biti Gabi i ostali, premda su oni prihvatili tu mogućnost i nazivaju sebe “zombijima”.

Zanimljivo je da se Cronenberg poigrava konceptom kloniranja i identiteta budući da ga neki prozivaju klonom oca koji se nedavno vratio “body horroru” sa “Zločinima” budućnosti”. Utjecaj Cronenberga starijeg vidljiv je u tretmanu tijela i uma, tj. krvi, mesa i seksa, kao i Noea (obojici je odana posveta), pa i “neonskog demona” Nicolasa Windinga Refna.

No, Brandon je sve te uplive pretočio u originalnu viziju s vlastitim “ja” i na dobrom je putu da postane veliki žanrovski filmaš koji koristi žanr da ispod njegove površine kaže nešto o stvarnom svijetu. “Infinity Pool” je ekstremni hororski odgovor na filmove o aroganciji i nemoralu privilegiranih ljudi kao što su “Meni”, “Trokut tuge” i “Nož u leđa 2” ili serije poput “Bijelog lotosa” i “Nasljedstva”. Ljubitelji dobrog žanrovskog filma trebali bi istražiti dubine “Bazena beskraja”.

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FILM: Infinity Pool; SF horor; Kanada/Hrvatska/Mađarska, 2023. REŽIJA: Brandon Cronenberg ULOGE: Alexander SKarsgard, Mia Goth OCJENA: ****

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Hoće li doći u kina?

"Bazen beskraja" zasad nije u najavi za redovnu hrvatsku kinodistribuciju, ali vrijedi se nadati da će u dogledno vrijeme ipak doći u kina.

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Film & TV‘BAZEN BESKRAJA‘

Dalmatinske lokacije sjaje od samog početka Cronenbergovog SF horora snimanog u Šibeniku, punog seksa, droge i nasilja

Piše Marko Njegić
22. srpnja 2023. - 17:18
&lt;p&gt;Prizor iz filma ‘Infinity Pool‘ Brandona Cronenberga&lt;/p&gt;
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Prizor iz filma ‘Infinity Pool‘ Brandona Cronenberga

Okolica Šibenika i sam grad poslužili su kao kulisa za snimanje novog SF horora redatelja i scenarista Brandona Cronenberga ”Bazen beskraja” (“Infinity Pool”), nastalog i u hrvatskoj koprodukciji. Bilo je to u jesen 2021. godine. Nešto manje od dvije godine poslije, nakon svjetske premijere na Sundanceu i europske na Berlinaleu, “Bazen beskraja” je napokon dobio premijernu kasnovečernju projekciju na Pula Film Festivalu i dobro se nadovezao na horor “Ne govori zlo” kao prošlogodišnjeg predstavnika “Ponoćno ludilo” tipa festivalske strave.

Dalmatinske lokacije sjaje odmah od snoliko-košmarnih, tripoidnih uvodnih kadrova filma “Infinity Pool”, kad se kamera Karima Hussaina okreće naglavačke da posnimi more, plaže i bazene ekskluzivnog ljetnog odmarališta fik...

#CINEMARK#CINEMARK NA FESTIVALU#CINEMARK U KINU #PULAFILMFESTIVAL#BRANDON CRONENBERG#MIA GOTH#ALEXANDER SKARSGARD#HORORI#SF HORORI#SNIMANJE U HRVATSKOJ#PULA FILM FESTIVAL
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