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Smatran promašajem, trešom i jednim od najgorih filmova osamdesetih u realnom vremenu, “Flash Gordon” (1980.) s godinama je, unatoč tome ili baš zbog toga, počeo stjecati kultni status. Da ga je na koncu i stekao bilo je jasno 2012. u hit-komediji “Ted”. Titularni plišani medo i lik Marka Wahlberga idolizirali su tumača Flasha Gordona, Sama J. Jonesa, čak i tulumarili s njime “kao da su osamdesete”.

“Ali, Flash Gordon je...”, pravdao se curi Wahlbergov lik koji je u mislima poletio s junakom djetinjstva na raketnom motoru prema Nebeskom gradu kao u sceni iz filma, jasno uz pamtljivu naslovnu pjesmu hard rock grupe Queen o “spasitelju svemira (i svakog od nas)” i “kralju nemogućeg”. Sigurno znate ono “Flash, aaaa!” u interpretaciji Freddieja Mercuryja sve i da niste film gledali.

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FILM: Flash Gordon; SF avantura; SAD, 1980. REŽIJA: Mike Hodges ULOGE: Sam J. Jones, Max Von Sydow OCJENA: ***

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Unatrag deset godina, “Flash Gordon” je bio duhovno prisutan u blockbusterima kao što su “Čuvari galaksije” i, naročito, “Thor Ragnarok”. Na junaka stripova Alexa Raymonda iz tridesetih godina prošlog stoljeća, koje je u film adaptirao Michael Allin (“U zmajevu gnijezdu”), referirali su se i popularni Osvetnici u “Ratu beskonačnosti”.

Konačno, Marvelova stripovska špica kao da se ugledala u listanje stripova iz odličnog uvoda “Flasha Gordona” koji je u paketu sa svemirskom rock operom Queena čista antologija. No, utjecaj “Flasha Gordona” mogao se vidjeti i čuti već u osamdesetima, samo je malo tko išao za tim nakon kraha filma.

”Flash Gordon” je inspiraciju vukao iz “Barbarelle”, “Ratova zvijezda”, “Supermana” i “Operacije svemir”, ali i sam inspirirao vizualnost “Dine: Pješčanog planeta” i “Gospodara svemira” nalik teatru u svemiru (kazališno-cirkuska scenografija i kostimografija).

S druge strane, sintisajzerska glazba Queena na trenutke zvuči nadahnjujuća za velikog Vangelisa i divna skladba “In The Space Capsule” komotno bi mogla ukrasiti soundtrack “Istrebljivača”. Spomen tako oprečnih filmova kao što su “Star Wars” i “Moonraker”, tj. “Masters Of The Universe” i “Blade Runner”, sugerira neravnomjernost u žanrovskoj tonalnosti “Flasha Gordona”.

Čuveni producent Dino De Laurentiis (“Serpico”, “Zmijsko jaje”, “Conan”) imao je viziju spektakularne i ozbiljne SF akcijske avanture i svemirske opere, zbog čega je i angažirao Maxa von Sydowa, kućnog Bergmanovog glumca (“Sedmi pečat”), u ulozi negativca cara Minga, “vladara svemira i galaksije”.

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No, scenarij Lorenza Semplea Jr. (“Leptir”, “Ubojice i svjedoci”, “Tri kondorova dana”; napisao “King Konga” za DeLaurentiisa, kasnije i bondovski “Nikad ne reci nikad”) bio je stvoren za komičnu, autoparodičnu “camp” zafrkanciju na tragu njegovog scenarističkog obola za televizijskog “Batmana”.

Od “tananana Batmaaan” do “Flash, aaa” logičan je put. Tako je film vidio i redatelj Mike Hodges (“Sredite Cartera”), uletjevši kao zamjena za prvopredviđenog Federica Fellinija (“Amarcord”), s kojim je DeLaurentiis radio “Ulicu”, te Sergija Leonea (“Dobar, loš, zao”) i Nicholasa Roega (“Čovjek koji je pao na Zemlju”), čak i Georga Lucasa prije nego što je ovaj realizirao “Ratove zvijezda”.

Vizija producenta sudarala se s vizijom redatelja da bi na koncu pao kompromis da Hodges snimi “Flasha Gordona” kako je zamislio, ali i da ga DeLaurentiis reklamira kao SF spektakl. Publika je prema reklamama očekivala novi “Star Wars”, a dobila nešto sasvim drukčije od filma “Imperij uzvraća udarac” puštenog u kina šest mjeseci prije “Flasha Gordona”, otprilike kao u kasnijem slučaju žanrovski samoironične “Velike gužve u Kineskoj četvrti” i “Posljednjeg akcijskog junaka”.

Tko od “Flasha Gordona” očekuje “Ratove zvijezda”, neće se dobro provesti, no provod je zajamčen ukoliko ste spremni za zabavnu, zezantsku, blesavu, lepršavu, bizarnu i nadasve neozbiljnu i nepretencioznu SF akcijsku komediju, svjetlosnim godinama udaljenu od nekih smrtno ozbiljnih i pretencioznih blockbustera današnjice.

Ton “Flasha Gordona” podešen je s prvim minutama filma. “Dosađujem se”, govori car Ming i pita podanika Klytusa (Peter Wyngarde) “Kakvu mi zabavu danas možeš ponuditi?”. Da ubije svemirsku dosadu Ming se odluči poigrati sa Zemljom i uništiti je, izazivajući potrese, uragane i pomrčinu Sunca s crvenim oblacima.

Kulminacija Mingove igre predstavlja Mjesec izvan orbite koji prijeti rušenjem na naš planet, 42 godine prije nego što se toga dosjetio Roland Emmerich u blockbusteru “Moonfall”. Sve to se događa dok je Flash na letu s novinarkom Dale Arden (Melody Anderson), a avionom upravljaju piloti na valnoj duljini s kolegama iz parodije “Ima li pilota u avionu”.

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Avion se ruši baš na laboratorij ludog znanstvenika Hanksa Zarkova (Topol) i par trenutaka kasnije Flash i Dale se nevoljko nalaze u njegovoj kapsuli na putu za svemir, gdje će se junak ujediniti s vođom ljudi-sokola Vultanom i Barinom/princom Arborije (Brian Blessed, Timothy Dalton) da svrgne Minga.

Svega deset minuta je dovoljno da “Flash Gordon” otkrije svoje (ne)skrivene namjere i predstavi se kao moderna verzija interplanetarnih SF-ova i avanturističkih filmova kakvi su se dekadama ranije prikazivali na matinejama, s naglaskom na “camp” ton, kičaste setove i efekte (polje munja kao božićna jelka), drvenu teatralnu glumu, “deadpan” isporuku šašavih dijaloga te gestikulacije i reakcije likova, od Zarkovljeva upiranja prstom do Daleina olakog padanja u Flashov zagrljaj, kasnije i u nesvijest.

Pa opet, kad se tijekom leta kapsule po nebu vodenih boja i prolaska kroz interstelarni “imperijalni vrtlog” u kadar ušulja Queenova snolika “In The Space Capsule”, jasno je da se “Flash Gordon” mogao usnuti i kao drukčiji film. “Sanjamo li?”, pita Dale. “Volio bih da je tako”, odgovori Flash.

Fleševi takvog “Flasha Gordona” primjetni su u nekoliko navrata, recimo u izvanrednoj, neočekivano emotivnoj pa i filozofskoj sceni brisanja Zarkovljeva uma koja prikazuje cijeli njegov život premotan unatrag do majčina trbuha. Ipak, Hodgesu je više do samosvjesne blesavoće.

To je jasno nakon što se Flash, kao vođa navale “New York Jetsa”, bori protiv negativaca igrajući američki “football” (“barbarska igra”) i točno kad izgleda da je ostvario trijumfalnu pobjedu dobije svemirsku loptu u glavu i onesvijesti se. Antiakcijski prilično subverzivno. Subverzije ne nedostaje u filmu, kao i tragova perverzije u liku Mingove kćerke u tumačenju super-seksepilne zavodnice Ornelle Mutti (“Aura, tvoji apetiti su opasni”).

Veoma je subverzivno da se Aurin ljubimac-patuljak na lancu zove Fellini, što je svojevrsna (p)osveta nesuđenom redatelju “Flasha Gordona”. Kakav bi “Flash Gordon” bio u Fellinijevoj režiji, teško je reći, no vjerojatno ne bi letio “naslijepo” na raketnom motoru, niti bi Dale rekla “Flash, volim te, ali imamo samo 14 sati da spasimo Zemlju!”. Flash (i trash), aaaa!

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Filmski muž Bo Derek

Prije nego što je utjelovio Flasha, Sam J. Jones je bio poznat samo po ulozi muža Bo Derek u filmu "Desetka".


 

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Smatran promašajem, trešom i jednim od najgorih filmova osamdesetih u realnom vremenu, “Flash Gordon” (1980.) s godinama je, unatoč tome ili baš zbog toga, počeo stjecati kultni status. Da ga je na koncu i stekao bilo je jasno 2012. u hit-komediji “Ted”. Titularni plišani medo i lik Marka Wahlberga idolizirali su tumača Flasha Gordona, Sama J. Jonesa, čak i tulumarili s njime “kao da su osamdesete”.

“Ali, Flash Gordon je...”, pravdao se curi Wahlbergov lik koji je u mislima poletio s junakom djetinjstva na raketnom motoru prema Nebeskom gradu kao u sceni iz filma, jasno uz pamtljivu naslovnu pjesmu hard rock grupe Queen o “spasitelju svemira (i svakog od nas)” i “kralju nemogućeg”. Sigurno znate ono “Flash, aaaa!” u interpretaciji Freddieja Mercuryja sve i da niste film gledali.

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FILM: Flash Gordon; SF avantura; SAD, 1980. REŽIJA: Mike Hodges ULOGE: Sam J. Jones, Max Von Sydow OCJENA: ***

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Unatrag deset godina, “Flash Gordon” je bio duhovno prisutan u blockbusterima kao što su “Čuvari galaksije” i, naročito, “Thor Ragnarok”. Na junaka stripova Alexa Raymonda iz tridesetih godina prošlog stoljeća, koje je u film adaptirao Michael Allin (“U zmajevu gnijezdu”), referirali su se i popularni Osvetnici u “Ratu beskonačnosti”.

Konačno, Marvelova stripovska špica kao da se ugledala u listanje stripova iz odličnog uvoda “Flasha Gordona” koji je u paketu sa svemirskom rock operom Queena čista antologija. No, utjecaj “Flasha Gordona” mogao se vidjeti i čuti već u osamdesetima, samo je malo tko išao za tim nakon kraha filma.

”Flash Gordon” je inspiraciju vukao iz “Barbarelle”, “Ratova zvijezda”, “Supermana” i “Operacije svemir”, ali i sam inspirirao vizualnost “Dine: Pješčanog planeta” i “Gospodara svemira” nalik teatru u svemiru (kazališno-cirkuska scenografija i kostimografija).

S druge strane, sintisajzerska glazba Queena na trenutke zvuči nadahnjujuća za velikog Vangelisa i divna skladba “In The Space Capsule” komotno bi mogla ukrasiti soundtrack “Istrebljivača”. Spomen tako oprečnih filmova kao što su “Star Wars” i “Moonraker”, tj. “Masters Of The Universe” i “Blade Runner”, sugerira neravnomjernost u žanrovskoj tonalnosti “Flasha Gordona”.

Čuveni producent Dino De Laurentiis (“Serpico”, “Zmijsko jaje”, “Conan”) imao je viziju spektakularne i ozbiljne SF akcijske avanture i svemirske opere, zbog čega je i angažirao Maxa von Sydowa, kućnog Bergmanovog glumca (“Sedmi pečat”), u ulozi negativca cara Minga, “vladara svemira i galaksije”.

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No, scenarij Lorenza Semplea Jr. (“Leptir”, “Ubojice i svjedoci”, “Tri kondorova dana”; napisao “King Konga” za DeLaurentiisa, kasnije i bondovski “Nikad ne reci nikad”) bio je stvoren za komičnu, autoparodičnu “camp” zafrkanciju na tragu njegovog scenarističkog obola za televizijskog “Batmana”.

Od “tananana Batmaaan” do “Flash, aaa” logičan je put. Tako je film vidio i redatelj Mike Hodges (“Sredite Cartera”), uletjevši kao zamjena za prvopredviđenog Federica Fellinija (“Amarcord”), s kojim je DeLaurentiis radio “Ulicu”, te Sergija Leonea (“Dobar, loš, zao”) i Nicholasa Roega (“Čovjek koji je pao na Zemlju”), čak i Georga Lucasa prije nego što je ovaj realizirao “Ratove zvijezda”.

Vizija producenta sudarala se s vizijom redatelja da bi na koncu pao kompromis da Hodges snimi “Flasha Gordona” kako je zamislio, ali i da ga DeLaurentiis reklamira kao SF spektakl. Publika je prema reklamama očekivala novi “Star Wars”, a dobila nešto sasvim drukčije od filma “Imperij uzvraća udarac” puštenog u kina šest mjeseci prije “Flasha Gordona”, otprilike kao u kasnijem slučaju žanrovski samoironične “Velike gužve u Kineskoj četvrti” i “Posljednjeg akcijskog junaka”.

Tko od “Flasha Gordona” očekuje “Ratove zvijezda”, neće se dobro provesti, no provod je zajamčen ukoliko ste spremni za zabavnu, zezantsku, blesavu, lepršavu, bizarnu i nadasve neozbiljnu i nepretencioznu SF akcijsku komediju, svjetlosnim godinama udaljenu od nekih smrtno ozbiljnih i pretencioznih blockbustera današnjice.

Ton “Flasha Gordona” podešen je s prvim minutama filma. “Dosađujem se”, govori car Ming i pita podanika Klytusa (Peter Wyngarde) “Kakvu mi zabavu danas možeš ponuditi?”. Da ubije svemirsku dosadu Ming se odluči poigrati sa Zemljom i uništiti je, izazivajući potrese, uragane i pomrčinu Sunca s crvenim oblacima.

Kulminacija Mingove igre predstavlja Mjesec izvan orbite koji prijeti rušenjem na naš planet, 42 godine prije nego što se toga dosjetio Roland Emmerich u blockbusteru “Moonfall”. Sve to se događa dok je Flash na letu s novinarkom Dale Arden (Melody Anderson), a avionom upravljaju piloti na valnoj duljini s kolegama iz parodije “Ima li pilota u avionu”.

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Avion se ruši baš na laboratorij ludog znanstvenika Hanksa Zarkova (Topol) i par trenutaka kasnije Flash i Dale se nevoljko nalaze u njegovoj kapsuli na putu za svemir, gdje će se junak ujediniti s vođom ljudi-sokola Vultanom i Barinom/princom Arborije (Brian Blessed, Timothy Dalton) da svrgne Minga.

Svega deset minuta je dovoljno da “Flash Gordon” otkrije svoje (ne)skrivene namjere i predstavi se kao moderna verzija interplanetarnih SF-ova i avanturističkih filmova kakvi su se dekadama ranije prikazivali na matinejama, s naglaskom na “camp” ton, kičaste setove i efekte (polje munja kao božićna jelka), drvenu teatralnu glumu, “deadpan” isporuku šašavih dijaloga te gestikulacije i reakcije likova, od Zarkovljeva upiranja prstom do Daleina olakog padanja u Flashov zagrljaj, kasnije i u nesvijest.

Pa opet, kad se tijekom leta kapsule po nebu vodenih boja i prolaska kroz interstelarni “imperijalni vrtlog” u kadar ušulja Queenova snolika “In The Space Capsule”, jasno je da se “Flash Gordon” mogao usnuti i kao drukčiji film. “Sanjamo li?”, pita Dale. “Volio bih da je tako”, odgovori Flash.

Fleševi takvog “Flasha Gordona” primjetni su u nekoliko navrata, recimo u izvanrednoj, neočekivano emotivnoj pa i filozofskoj sceni brisanja Zarkovljeva uma koja prikazuje cijeli njegov život premotan unatrag do majčina trbuha. Ipak, Hodgesu je više do samosvjesne blesavoće.

To je jasno nakon što se Flash, kao vođa navale “New York Jetsa”, bori protiv negativaca igrajući američki “football” (“barbarska igra”) i točno kad izgleda da je ostvario trijumfalnu pobjedu dobije svemirsku loptu u glavu i onesvijesti se. Antiakcijski prilično subverzivno. Subverzije ne nedostaje u filmu, kao i tragova perverzije u liku Mingove kćerke u tumačenju super-seksepilne zavodnice Ornelle Mutti (“Aura, tvoji apetiti su opasni”).

Veoma je subverzivno da se Aurin ljubimac-patuljak na lancu zove Fellini, što je svojevrsna (p)osveta nesuđenom redatelju “Flasha Gordona”. Kakav bi “Flash Gordon” bio u Fellinijevoj režiji, teško je reći, no vjerojatno ne bi letio “naslijepo” na raketnom motoru, niti bi Dale rekla “Flash, volim te, ali imamo samo 14 sati da spasimo Zemlju!”. Flash (i trash), aaaa!

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Filmski muž Bo Derek

Prije nego što je utjelovio Flasha, Sam J. Jones je bio poznat samo po ulozi muža Bo Derek u filmu "Desetka".


 

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StoryEditorOCM
Film & TVCINEMARK RETRO(PER)SPEKTIVA

‘Flash Gordon‘: Flash, aaaa!

Piše Marko Njegić
10. prosinca 2022. - 14:06
23934508
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Smatran promašajem, trešom i jednim od najgorih filmova osamdesetih u realnom vremenu, “Flash Gordon” (1980.) s godinama je, unatoč tome ili baš zbog toga, počeo stjecati kultni status. Da ga je na koncu i stekao bilo je jasno 2012. u hit-komediji “Ted”. Titularni plišani medo i lik Marka Wahlberga idolizirali su tumača Flasha Gordona, Sama J. Jonesa, čak i tulumarili s njime “kao da su osamdesete”.

“Ali, Flash Gordon je...”, pravdao se curi Wahlbergov lik koji je u mislima poletio s junakom djetinjstva na raketnom motoru prema Nebeskom gradu kao u sceni iz filma, jasno uz pamtljivu naslovnu pjesmu hard rock grupe Queen o “spasitelju svemira (i svakog od nas)” i “kralju nemogućeg”. Sigurno znate ono “Flash, aaaa!” u interpretaciji Freddieja Mercuryja ...

#CINEMARK#CINEMARK RETRO(PER)SPEKTIVA#SF FILMOVI#SF AVANTURE#FILMSKI PROMAŠAJI#SAM J. JONES#ORNELLA MUTTI#MAX VON SYDOW#MELODY ANDERSON#MIKE HODGES#TIMOTHY DALTON#KULTNI FILMOVI#FLASH GORDON
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19. svibanj 2024 11:59