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stdClass Object ( [id] => 1125418 [title] => Helena Ivančić, umjetnica koja likovno ‘opjevava klape‘, ujedno se angažirano bori za pravo Dalmacije na tiramole [alias] => helena-ivancic-umjetnica-koja-likovno-opjevava-klape-ujedno-se-angazirano-bori-za-pravo-dalmacije-na-tiramole [catid] => 289 [published] => 1 [introtext] => [fulltext] =>

Split, Trogir, kalete, volti, cviće, tiramoli, skale... Klape.

Zvuči stereotipno kao umjetnički predložak, ali u interpretaciji Helene Ivančić dobiva drukčije ruho i, vjerujte, namah šarmira.

Riječ je o reljefima, kombiniranoj tehnici fotografije s apliciranim drvcima – stiliziranim ljudima, točnije klapskim pivačima, koji su najvažniji lajtmotiv prve samostalne izložbe diplomirane odgojiteljice postavljene u Gradskoj knjižnici Marka Marulića u Splitu.

Na početku teksta spomenut je i Trogir, ne bez vraga; taj je gradić-dragulj mjesto rođenja umjetnički zaigrane autorice izložbe, ujedno i njezino inspirativno ishodište kojemu će posvetiti svoju sljedeću izložbu; no, za sada aktualni postav plijeni pozornost javnosti...

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Autoričin reljef, kombinirana tehnika fotografije s apliciranim drvcima – stiliziranim ljudima, točnije klapskim pivačima
Paun Paunović/Cropix
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Riječ je o dvadesetak izložaka – reljefa, rekosmo, drvaca nalijepljenih na bazu – fotografiju. Tu valja spomenuti i koautora izložbe, samozatajnog Sinišu Ivančića, koji je objektivom šetao u splitska praskozorja Dioklecijanovim gradom, te ovjekovječivao najviše kaletice Geta u vrijeme kad nisu napučene ni fureštima, ali ni domaćima koji još uvijek u njima žive.

Izbor lokaliteta nije bio prvoloptaški; tu nema bisera poput Peristila, Svetoga Duje niti Vestibula, nego manje razvikanih kantuna i slijepih uličica kao u antologijskoj pjesmi Tome Bebića, di je "cviće samo u pitare, tiramoli vežu skale, a murtila i lancuni lipo rese" svaku kalu.

Posveta ocu

U njima možda nema "ni sunca ni arje", ali "jema jubavi"; Helena Ivančić ju je kanalizirala kroz pomalo infantilni umjetnički izraz, naivno i nevino kako samo dijete može voljeti.

To ne mora biti uopće pejorativna odredba, dovoljno je pogledati radove nekih svjetski poznatih umjetnika koje nećemo imenovati da nam akademski "šufištici" ne bi zamjerili da ih stavljamo u istu rečenicu s jednom "običnom odgojiteljicom". No, možda je Helenu u njezinu stvaralaštvu formiralo upravo svakodnevno druženje s onim najboljima i najneiskvarenijima među nama – mališanima...

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Posveta tiramolima, obilježju Dalmacije
Paun Paunović/Cropix
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Osim što u ovom opusu likovno "opjevava klape", prisutna je i angažirana komponenta: krik za pravo Dalmacije na tiramole! Oni se provlače kao svojevrstan autoričin potpis kroz radove, i također su "izvučeni van" komadićima tkanine, dakle čine reljefni dio djela, a na njima je po potrebi šalturski intervenirala autoričina majka.

Helena Ivančić ima četrdesetak godina, a zadnjih desetak radi u struci, u Dječjem vrtiću "Radost" u Splitu.

Majka je dvojice dječaka, koji su joj, veli, pomagali u Planom kod Trogira pronalaziti drvca (najčešće maslinove grančice) prikladna za obradu. Prilikom "grubih radova" Heleni je, pak, najviše pri ruci bio otac Ivan Ivković; on je, nažalost, preminuo prije šest mjeseci i nije dočekao otvaranje prve samostalne izložbe svoje kćeri.

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Umjetnica i dio njezinih radova
Paun Paunović/Cropix
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– Ipak, on je u svaki reljef utkao djelić sebe, pa bih izložbu "Moje klapice" posvetila tati – dirnuto je kazala autorica.

– Ima li šta lipše nego proć priko staroga grada, kroz njegove tisne kale i razgrnute lancune, pa ispod kakve balature čut tu divotu... Klapska pisma je pisma duše, mora i ljubavi, pisma života. Budi uspomene, živi, zove novu ljubav, smiruje i oprašta... I zato je volin čut i uživam u njoj – približila je svoj doživljaj.

A u katalog izložbe djelić sebe dala je i poznata splitsko-slatinska profesorica i pjesnikinja Vanja Škrobica, i to napisavši sjetnu pjesmu o klapskim versima bez naslova – ali s puno duše, koja je ujedno i "glavni začin" ovoj ljupkoj izložbi.

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Autoričini radovi u splitskoj Gradskoj knjižnici Marka Marulića, gdje je imala izložbu
Paun Paunović/Cropix
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Split, Trogir, kalete, volti, cviće, tiramoli, skale... Klape.

Zvuči stereotipno kao umjetnički predložak, ali u interpretaciji Helene Ivančić dobiva drukčije ruho i, vjerujte, namah šarmira.

Riječ je o reljefima, kombiniranoj tehnici fotografije s apliciranim drvcima – stiliziranim ljudima, točnije klapskim pivačima, koji su najvažniji lajtmotiv prve samostalne izložbe diplomirane odgojiteljice postavljene u Gradskoj knjižnici Marka Marulića u Splitu.

Na početku teksta spomenut je i Trogir, ne bez vraga; taj je gradić-dragulj mjesto rođenja umjetnički zaigrane autorice izložbe, ujedno i njezino inspirativno ishodište kojemu će posvetiti svoju sljedeću izložbu; no, za sada aktualni postav plijeni pozornost javnosti...

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image
Autoričin reljef, kombinirana tehnika fotografije s apliciranim drvcima – stiliziranim ljudima, točnije klapskim pivačima
Paun Paunović/Cropix
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Riječ je o dvadesetak izložaka – reljefa, rekosmo, drvaca nalijepljenih na bazu – fotografiju. Tu valja spomenuti i koautora izložbe, samozatajnog Sinišu Ivančića, koji je objektivom šetao u splitska praskozorja Dioklecijanovim gradom, te ovjekovječivao najviše kaletice Geta u vrijeme kad nisu napučene ni fureštima, ali ni domaćima koji još uvijek u njima žive.

Izbor lokaliteta nije bio prvoloptaški; tu nema bisera poput Peristila, Svetoga Duje niti Vestibula, nego manje razvikanih kantuna i slijepih uličica kao u antologijskoj pjesmi Tome Bebića, di je "cviće samo u pitare, tiramoli vežu skale, a murtila i lancuni lipo rese" svaku kalu.

Posveta ocu

U njima možda nema "ni sunca ni arje", ali "jema jubavi"; Helena Ivančić ju je kanalizirala kroz pomalo infantilni umjetnički izraz, naivno i nevino kako samo dijete može voljeti.

To ne mora biti uopće pejorativna odredba, dovoljno je pogledati radove nekih svjetski poznatih umjetnika koje nećemo imenovati da nam akademski "šufištici" ne bi zamjerili da ih stavljamo u istu rečenicu s jednom "običnom odgojiteljicom". No, možda je Helenu u njezinu stvaralaštvu formiralo upravo svakodnevno druženje s onim najboljima i najneiskvarenijima među nama – mališanima...

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Posveta tiramolima, obilježju Dalmacije
Paun Paunović/Cropix
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Osim što u ovom opusu likovno "opjevava klape", prisutna je i angažirana komponenta: krik za pravo Dalmacije na tiramole! Oni se provlače kao svojevrstan autoričin potpis kroz radove, i također su "izvučeni van" komadićima tkanine, dakle čine reljefni dio djela, a na njima je po potrebi šalturski intervenirala autoričina majka.

Helena Ivančić ima četrdesetak godina, a zadnjih desetak radi u struci, u Dječjem vrtiću "Radost" u Splitu.

Majka je dvojice dječaka, koji su joj, veli, pomagali u Planom kod Trogira pronalaziti drvca (najčešće maslinove grančice) prikladna za obradu. Prilikom "grubih radova" Heleni je, pak, najviše pri ruci bio otac Ivan Ivković; on je, nažalost, preminuo prije šest mjeseci i nije dočekao otvaranje prve samostalne izložbe svoje kćeri.

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image
Umjetnica i dio njezinih radova
Paun Paunović/Cropix
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– Ipak, on je u svaki reljef utkao djelić sebe, pa bih izložbu "Moje klapice" posvetila tati – dirnuto je kazala autorica.

– Ima li šta lipše nego proć priko staroga grada, kroz njegove tisne kale i razgrnute lancune, pa ispod kakve balature čut tu divotu... Klapska pisma je pisma duše, mora i ljubavi, pisma života. Budi uspomene, živi, zove novu ljubav, smiruje i oprašta... I zato je volin čut i uživam u njoj – približila je svoj doživljaj.

A u katalog izložbe djelić sebe dala je i poznata splitsko-slatinska profesorica i pjesnikinja Vanja Škrobica, i to napisavši sjetnu pjesmu o klapskim versima bez naslova – ali s puno duše, koja je ujedno i "glavni začin" ovoj ljupkoj izložbi.

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image
Autoričini radovi u splitskoj Gradskoj knjižnici Marka Marulića, gdje je imala izložbu
Paun Paunović/Cropix
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Paun Paunović/Cropix Paun Paunović/Cropix Paun Paunović/Cropix Paun Paunović/Cropix Paun Paunović/Cropix Paun Paunović/Cropix Paun Paunović/Cropix
Paun Paunović/Cropix
Helena Ivančić: Tata je u svaki reljef utkao djelić sebe, pa bih izložbu 'Moje klapice' posvetila njemu
Paun Paunović/Cropix
Autoričin reljef, kombinirana tehnika fotografije s apliciranim drvcima – stiliziranim ljudima, točnije klapskim pivačima
Paun Paunović/Cropix
Posveta tiramolima, obilježju Dalmacije
Paun Paunović/Cropix
Piva klapa ispod volta
Paun Paunović/Cropix
Umjetnica i dio njezinih radova
Paun Paunović/Cropix
Helena Ivančić: Ima li šta lipše nego proć priko staroga grada, kroz njegove tisne kale i razgrnute lancune, pa ispod kakve balature čut divotu klaspke pisme
Paun Paunović/Cropix
Autoričini radovi u splitskoj Gradskoj knjižnici Marka Marulića, gdje je imala izložbu
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Slikarstvomoje klapice

Helena Ivančić, umjetnica koja likovno ‘opjevava klape‘, ujedno se angažirano bori za pravo Dalmacije na tiramole

Piše Lenka Gospodnetić
7. rujna 2021. - 12:17
Helena Ivančić: Tata je u svaki reljef utkao djelić sebe, pa bih izložbu 'Moje klapice' posvetila njemu
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Helena Ivančić: Tata je u svaki reljef utkao djelić sebe, pa bih izložbu 'Moje klapice' posvetila njemuPaun Paunović/Cropix

Split, Trogir, kalete, volti, cviće, tiramoli, skale... Klape.

Zvuči stereotipno kao umjetnički predložak, ali u interpretaciji Helene Ivančić dobiva drukčije ruho i, vjerujte, namah šarmira.

Riječ je o reljefima, kombiniranoj tehnici fotografije s apliciranim drvcima – stiliziranim ljudima, točnije klapskim pivačima, koji su najvažniji lajtmotiv prve samostalne izložbe diplomirane odgojiteljice postavljene u Gradskoj knjižnici Marka Marulića u Splitu.

Na početku teksta spomenut je i Trogir, ne bez vraga; taj je gradić-dragulj mjesto rođenja umjetnički zaigrane autorice izložbe, ujedno i njezino inspirativno ishodište kojemu će posvetiti svoju sljedeću izložbu; no, za sada aktualni postav plijeni pozornost javnosti...

Riječ je o dvadese...

#HELENA IVANČIĆ#IZLOŽBA#MOJE KLAPICE #GKMM SPLIT#TIRAMOLI#KLAPSKA PJESMA
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13. svibanj 2024 03:57